A wide scale international appeal to the Holy Father, Pope Benedict XVI, has been organized to defend the motu proprio Summorum Pontificum against those who would want to restrict its application.
READ, SIGN, SHARE AND MAKE IT KNOWN
But you are a chosen people, a royal priesthood, a holy nation, a people belonging to God, that you may declare the praises of him who called you out of darkness into his wonderful light.
"...the liturgical experimentations can be likened to a gorilla who was let out of its cage, and these instructions were attempts to coax him back in. Perhaps we're still trying to accomplish that."
THE story is told about a priest who, wanting to be “in” with the youth, started the Mass by saying, “The Lord be with you… nobody, nobody but you!” In no time, he had the whole congregation singing and dancing to the popular song “Nobody, nobody but you!”
TO: ALL PARISH PRIESTS/SHRINE RECTORS/CHAPLAINS AND SCHOOL DIRECTORS
SUBJECT: ORATIO IMPERATA/INTERCESSORY PRAYERS FOR RAIN
People tasked with managing our water/power resources have warned that we face drought and shortage of water because of El Niño phenomenon. Our relief will come from nature. And so we implore the Master of all creation, God, our Father, at whose command the winds and the seas obey, to send us rain and ease the drought.
We are sending you the intentions to be inserted into the Daily and Sunday Prayers of the Faithful of the Mass:
Lord, hasten to send the rain we badly need so the damage to crops and other livelihood and impending power shortage may be averted, we pray…
Lord, inspire us in this time of crisis to share in the name of Jesus what we have and to take responsibility for one another and for the environment and resources that you have generously provided us, we pray...
The Oratio Imperata ad Petendam Pluviam is to be prayed after Communion before the Post Communion Prayer:
God our loving Father, creator of our earth and of the universe, and all the wondrous elements of nature that sustain your living creatures, we humbly ask you to send us the rain that our country needs so badly at this time, to irrigate our fields, to stave off a power shortage, to provide water for our bodily health, and to refresh our parched lands. At you command the wind and the seas obey, raise your hand Almighty God to send us so that crisis may be averted.
Merciful and generous God, open our eyes to the richness and beauty of your creation and instill in us a deep love for this earth and all that is in and around it. Teach us to be wise stewards of your creation so that we may always use them responsibly and protect them from abuse and exploitation. At this time of crisis, dear Lord, move us to share more and to love more.
Loving God, Father of our Lord Jesus Christ, you entrusted the Filipino people to the special care of Mary our Mother, listen to the prayers that we bring up to her, our Blessed Mother, to intercede for us, for the protection of our land and our people, whom she loves.
Grant this through our Lord Jesus Christ who lives and reigns with you in the unity of the Holy Spirit, One God forever and ever. Amen.
Our Lady of Guadalupe, pray for us.
Saint Rose of Lima, pray for us.
Saint Lorenzo Ruiz, pray for us.
February 28, 2010 is the Second Sunday of Lent and we start with these prayers on this day, the day of our intensified journey of Lent.
Let us together storm heavens with our supplication, that God's mercy be upon us and send us the rain we need.
God Bless!
+ GAUDENCIO B. CARDINAL ROSALES, D.D.
Archbishop of Manila

By the late Msgr. Moises Andrade, Jr. H.P., at the University of Santo Tomas last January 7, 2008August 17, 2009
Cardinal Francis Arinze, who served as prefect of the Congregation for Divine Worship and the Discipline of the Sacraments from 2002 to 2008, warned the bishops of Asia in an August 16 homily against liturgical “idiosyncracies” and false conceptions of inculturation. Cardinal Arinze also sounded a cautionary note against liturgical dance.
Preaching in Manila at the closing Mass of the plenary assembly of the Federation of Asian Bishops’ Conferences, Cardinal Arinze-- Pope Benedict’s special envoy to the meeting-- encouraged Asian bishops to foster Eucharistic adoration and reverence:
Adoration manifests itself in such gestures in genuflection, deep bow, kneeling, prostration and silence in the presence of the Lord. Asian cultures have a deep sense of the sacred and transcendent. Reverence in Asia to civil authorities sometimes shows itself in clasped hands, kneeling, bows, prostration and walking away while facing a dignitary. It should not be too difficult to bring and elevate this cultural value to honour our Eucharistic Jesus. The fashion in some parts of the world of not installing kneelers in churches should not be copied by the Church in Asia.
After praising Asian cultures’ sense of the sacred, Cardinal Arinze warned against false conceptions of inculturation and urged observance of liturgical norms.
The way in which Holy Communion is distributed should be clearly indicated and monitored and individual idiosyncracies should not be allowed. In the Latin Rite, only concelebrating priests take Holy Communion. Everyone else is given, be the person cleric or lay. It is not right that the priest discard any of the vestments just because the climate is hot or humid. If necessary, the Bishop can arrange the use of lighter cloth. It is altogether unacceptable that the celebrant will opt for local dress in the place of universally approved Mass vestments, or use baskets, or wine glasses to distribute the Holy Eucharist. This is inculturation wrongly understood.
“It is the tradition of the Church that during the Mass the readings are taken only from Holy Scriptures,” Cardinal Arinze continued. “Not even the writings of the Saints or Founders of Religious Orders are admitted. It is clear that the books of other religions are excluded, no matter how inspiring a particular text may be.”
Cardinal Arinze exhorted the continent’s bishops to follow the Church’s norms for liturgical inculturation, so that “the local Church will be spared questionable or downright mistaken innovations and idiosyncracies of some enthusiastic cleric whose fertile imaginations invents something on Saturday night and whose uninformed zeal forces this innovation on the innocent congregation on Sunday morning.”
“Dance in particular needs to be critically examined because most dances draw attention to the performers and offer enjoyment,” he continued. “People come to Mass, not for recreation but, to adore God, to praise and thank him, to ask pardon for their sins, and to request other spiritual and temporal needs. The monasteries may be of help in how graceful body movements can become prayer.”
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Ann Scolari: What are your thoughts on the Trindentine mass?
CardinalMahony: Ann: The Tridentine Mass was meant for those who could not make the transition from Latin to English [or other languages] after the Council. But there is no participation by the people, and I don’t believe that instills the spirit of Christ among us.
OFFICE OF THE LITURGICAL CELEBRATIONS OF THE SUPREME PONTIFF
INTERVIEW OF MONS. GUIDO MARINI
IN THE PERIODICAL "RADICI CRISTIANE”
N. 42 OF THE MONTH FOR MARCH 2009
Without words before the greatness and beauty of the mystery of God
by Maddalena della Somaglia
The Holy Father seems to have the liturgy as one of the basic themes of his pontificate. You, who follow him so closely, can you confirm this impression?
I would say yes. It is noteworthy that the first volume of the "opera omnia" of the Holy Father, soon to be published in Italian, is that devoted to those writings which have as their object the liturgy. In the preface to that volume, the same Joseph Ratzinger emphasizes this fact, noting that the precedence given to the liturgical writings is not accidental, but desired: in the same way as Vatican II, which first promulgated the Constitution dedicated to the Sacred Liturgy, followed by the great Constitution on the Church. [Lumen Gentium] It is in the liturgy, in fact, where the mystery of the Church is made manifest. It is understandable, then, the reason why the liturgy should be one of the basic themes of the papacy of Benedict XVI: it is in the liturgy that the renewal and reform of the Church begins.
Is there a relationship between the sacred liturgy and art and architecture? Should the call of the Pope to continuity in the liturgy be extended to art and sacred architecture?
There is certainly a vital relationship between the liturgy, sacred art and architecture. In part because sacred art and architecture, as such, must be suitable to the liturgy and its content, which finds expression in its celebration. Sacred art in its many manifestations, lives in connection with the infinite beauty of God and toward God, and should be oriented to His praise and His glory. Between liturgy, art and architecture there cannot be then, contradiction or dialectic. As a consequence, if it is necessary for a theological and historical continuity in the liturgy, this continuity should therefore also be a visible and coherent expression in sacred art and architecture.
Pope Benedict XVI recently said in an address that "society speaks with the clothes that it wears." Do you think this could apply to the liturgy?
In effect, we all speak by the clothes that we wear. Dress is a language, as is every form of external expression. The liturgy also speaks with the clothes it wears, and with all its expressive forms, which are many and rich, ever ancient and ever new. In this sense, "liturgical dress", to stay with the terminology you have used, must always be true, that is, in full harmony with the truth of the mystery celebrated. The external signs have to be in harmonious relation with the mystery of salvation in place in the rite. And, it should never be forgotten that the actual clothing of the liturgy is a clothing of sanctity: it finds expression, in fact, in the holiness of God. We are called to face this holiness, we are called to put on that holiness, realizing the fullness of participation.
In an interview with L'Osservatore Romano, you have highlighted the key changes since taking the post of Master of Papal Liturgical Celebrations. Could you recall and explain what these mean?
I was just saying that the changes to which you refer are to be understood as a sign of a development in continuity with the recent past, and I remember one in particular: the location of the cross at the centre of the altar. This positioning has the ability to express, also by external sign, proper orientation at the time of the celebration of the Eucharistic Liturgy, that the celebrant and the assembly do not look upon each other but together turn toward the Lord. Also, the unity of the altar and cross together can better show forth, together with the "banquet" aspect, the sacrificial dimension of the Mass, whose significance is always essential, I would say it springs from it, and therefore, always needs to find a visible expression in the rite.
We have noticed that the Holy Father, for some time now, always gives Holy Communion upon the tongue and kneeling. Does he want this to serve as an example for the whole Church, and an encouragement for the faithful to receive our Lord with greater devotion?
As we know the distribution of Holy Communion in the hand remains still, from a legal point of view, an exception [indult] to the universal law, granted by the Holy See to the bishops conferences who so request it. Every believer, even in the presence of an exception [indult], has the right to choose the way in which they will receive Communion. Benedict XVI, began to distribute Communion on the tongue and kneeling on the occasion of the Solemnity of Corpus Christi last year, in full consonance with the provisions of the current liturgical law, perhaps intending to emphasize a preference for this method. One can imagine the reason for this preference: it shines more light on the truth of the real presence in the Eucharist, it helps the devotion of the faithful, and it indicates more easily the sense of mystery.
The Motu Proprio "Summorum Pontificum" is presented as the most important activity in the papacy of Benedict XVI. What is your opinion?
I do not know whether it is the most important but it certainly is an important document. It is not only so because it is a very significant step towards a reconciliation within the Church, not only because it expresses the desire to arrive at a mutual enrichment between the two forms of the Roman Rite, the ordinary and extraordinary, but also because it is the precise indication, in law and liturgy, of that theological continuity which the Holy Father has presented as the only correct hermeneutic for reading and understanding of the life of the Church and, especially, of Vatican II.
What in his view the importance of silence in the liturgy and the life of the Church?
It is of fundamental importance. Silence is necessary for the life of man, because man lives in both words and silences. Silence is all the more necessary to the life of the believer who finds there a unique moment of their experience of the mystery of God. The life of the Church and the Church's liturgy cannot be exempt from this need. Here the silence speaks of listening carefully to the Lord, to His presence and His word, and, together these express the attitude of adoration. Adoration, a necessary dimension of the liturgical action, expresses the human inability to speak words, being "speechless" before the greatness of God's mystery and beauty of His love.
The celebration of the liturgy is made up of texts, singing, music, gestures and also of silence and silences. If these were lacking or were not sufficiently emphasized, the liturgy would not be complete and would be deprived of an irreplaceable dimension of its nature.
Nowadays you hear, during the liturgical celebrations, very diverse music. What music do you think is most suitable to accompany the liturgy?
As the Holy Father Benedict XVI reminds us, and along with him the recent and past tradition of the Church, the liturgy has its own music and that is Gregorian chant, and as such, it constitutes the permanent criterion for liturgical music. As well, a permanent criterion is also the great polyphony of Catholic renaissance, which finds its highest expression in Palestrina.
Beside these irreplaceable forms of liturgical music we find many manifestations of popular song, which are very important and necessary: so long as they adhere to that permanent criterion by which song and music have a right of citizenship within the liturgy, to the extent that they spring from prayer and lead to prayer, thus allowing genuine participation in the mystery celebrated.
Beginning February 20, the Friday noon Mass at the Stella Orientis Oratory will be celebrated in Latin. The Mass will continue to be the ordinary rite as approved by Vatican II, not the extraordinary rite or the so-called Tridentine Mass.
Celebrating the Friday noon Mass this way will preserve the use of Latin in the liturgy, as encouraged by Pope Benedict XVI. Using Latin in the Mass has never been stopped or prohibited. In the Constitution on the Sacred Liturgy Sacrosanctum Concilium the Second Vatican Council, while allowing the use of the vernacular, also affirmed that the “use of the Latin language (…) is to be preserved in the Latin rites." (no. 36)


[...]
Il Tempo: Are we witnessing simply a process of liturgical restyling or something deeper?
Marini: It is something deeper in the line of continuity, not of a break with the past. There is a development with respect for tradition.
Il Tempo: Since he has arrived, changes or corrections have been made. Some subtle, others more blatant.
Marini: The changes are diverse. One was the placement of the crucifix on the altar at the centre to indicate that the celebrant and the assembly of the faithful do not look at each other, but together they look to the Lord who is the focus of their prayers. The other aspect is the communion given kneeling by the Holy Father and distributed on the tongue. This to demonstrate the greatness of the mystery, the living presence of Jesus in the Holy Eucharist. This attitude and posture is important because it helps the worship and devotion of the faithful.
[...]
Il Tempo: When we will see Pope Benedict to celebrate the Mass in Latin according to Extraordinary Form of the Roman rite, that of St. Pius V? The Motu proprio. I, personally, interpret it as an act of generosity, openness, not closure.
Marini: I do not know. Many of the faithful have themselves taken advantage of this possibility [of the motu proprio]. The Pope will decide if he believes it to be opportune.
Il Tempo: In the post-synodal "Apostolic Exhortation" on the liturgy, Joseph Ratzinger has touched on many aspects. He even suggested that churches should face East, towards the Holy City of Jerusalem. A year ago, he celebrated Mass in the Sistine Chapel with his back facing the people. Why?
Marini: I proposed it. The Sistine Chapel is a treasure trove. It seemed to arbitrarily alter its beauty by building an artificial stage. In the ordinary rite, Mass celebrated "with one's back facing to the people" is an envisaged possibility [una modalità prevista]. But I would stress: [The celebrant] does not turn his back to the faithful, but rather the celebrant and the faithful are facing that thing which matters: the crucifix.
Il Tempo: "The Pope puts on Christ not Prada" was read in L'Osservatore Romano. The look of Benedict XVI is striking and intriguing. Vestments, mitre, pectoral crosses, the cathedra upon which he sits, and the mozzetta and stole. This is an elegant Pope. Is it a media invention?
Marini: Even to say "elegant" in the language of today, seems to suggest a Pope who simply loves outer aspects. A watchful eye sees that there is research which marries tradition and modernity. It is not the logic of a simple return to the past but it is a balance between past and present. It is the exploration, if you like, of beauty and harmony, which is the revelation of the mystery of God.
An ad orientem Mass according to the ordinary form was celebrated by Fr. Michell Joe Zerrudo last Saturday night at the Cuaresma Exhibit in Harrison Plaza annex building. Fr. Jojo wore the traditional vestments we often see in Tridentine Masses like the laced alb, cincture, stole and roman chasuble (fiddleback). The Mass was unique and memorable for everyone who assisted as it was in the presence of the relics of the True Cross and relics of the Holy Apostles, with the priest and the congregation oriented to the liturgical east facing these sacred relics. The presence of these sacred relics of the cross and the images of the different scenes from the passion of our Lord was a fitting reminder for everyone who assisted that the Holy Sacrifice of the Mass is indeed making present the great sacrifice of our Lord at Calvary. The Mass was in English while the central part, from the Eucharist Prayer 1 onwards, were in Latin, filled the atmosphere with a depth of mystery and sacredness.




